TV Review: Stargate Universe

Twelve years ago Showtime and MGM saw fit to bring Roland Emmerich and Dean Devlin’s Stargate film to the small-screen as a procedural space adventure complete with action and humor that lasted 10 seasons with a spin-off series for 5 seasons. The Stargate franchise has been a bread and butter series for MGM and the Syfy channel so naturally when the idea for third installment came up everyone began to wonder what the long running series could come up with next.
Stargate Universe has brought a new and fresh look to the long running franchise and has used a relatively new style to carry it: dark sci-fi. Many will want to compare this new series, because of that style, to other successful shows like Battlestar Galactica. However, where Galactica seemed to be depressing and too pessimistic in its goal for deep passionate drama, SGU may have been able to achieve something better, that middle ground.
When we were introduced to ABC’s Lost back in 2004, we were introduced to people in pain, anger, confusion and loss. A group of people put in a situation where they all had to rely on one another. Issues of trust, reliability arise and relationships form in order to ban together with the hopes of returning to home off an island no one knew of, in a place as mysterious as it was beautiful. Every character since then has developed nicely with non-linear storytelling giving us background on who they were pre and even post island. I also vaguely remember watching Star Trek Voyager when it first appeared on television and many of the complaints that series got similar to Stargate Atlantis, was the series never took itself seriously and the characters never seemed to feel real in the predicament they were in. Atlantis realized that early on and wrote the “can’t get home” concept off completely.
Where am I going with this? So many people when reading the premise of SGU will be quick to compare and quick to judge based on that comparison. “A group of military and scientist personnel find themselves billions of light years from home on a strange ship, with no hope to return to Earth.” Well that has been done before right? Sure like I said Voyager did it, but the characters were not real, BSG’s dark sci-fi concept was the same and they flew around unable to return home while looking for a new place to settle combating the cylon onslaught. BSG was too gritty, too engrained in its pensive dramatic tale becoming overreached at times and almost consuming their characters in that doom and gloom reality. I think the producers were trying to not make the same mistakes as Voyager but creating a new one. As I mentioned SGU finds itself perfectly set in the middle of these two classic series.
The series brings to us real people, like Lost, these people are put into an immediate situation of survival bringing all the real emotions that go with it. In the series we are shown pain that comes out of great loss, sacrifice, confusion and fear. Immediate character questioning of who the people are around you really are especially when it matters most. Then there is that moment where they finally achieve and identify that everything is finally going to be okay, even if it just a little while. Perhaps this element is so hard to bring to sci-fi because your are representing worlds and elements that are not identifiable to our present humanity but should that matter? of course not but it does.

The series unlike its predecessors isn’t concerned with the right thing but then again none of the characters know what that is and due to their situation so much of that “grey area” arises and decision making resides there quite well perhaps because the “right thing” doesn’t exist or just isn’t clear. That seems pretty real to me and should to all audience members from any part of the world. Most the things I loved but always made no sense to me about the previous SG series was that redemption was easy and the positive outcome was even easier. I mean it was a hero show, SG-1, was the A-Team in space, so that writing and style fit the show, Atlantis was the same and didn’t try anything new. Sure you had Daniel Jackson objecting to Col. O’Neill’s military mindset with liberal perception on most things. Disagreements ensued but resolve and a decision was quickly made, whether it be blowing up a sun or destroying a whole race of people, thing is there was no repercussion, no consequence, the next episode just moved on because the heroes won, no need.
When I spoke to the series star, Brian J. Smith, back in July at Comic-Con we discussed about his character but more importantly how the series would portray these “adventurers” in the deep, dark, depths of space. He told me, “we are flawed, every single one of us is flawed in some way and that is a big piece of the story.” Smith plays 1st Lt. Matthew Scott, an unprepared, newly commissioned officer that is constantly thrown into leadership roles but his troubled past and youth certainly make his job hard as he struggles to keep order amongst the survivors. The flawed aspect of the characters is seen and seen early as we find Smith’s character indulging in some actions an on duty soldier shouldn’t be partaking, one clear moment to show this series is different than its former.
So where does all this tripe above leave my thoughts on the show? How did I feel watching it? What did I discover with SGU?
First off I watched the 3-hours provided to me twice. My impressions were met with the strong, “this is definitely different and man was that intense.” Vague? sure but that was all I could say still digesting what I had been waiting for since the rumblings of this series began around 2 years ago. For long-time fans of the series, they will find traditional elements to laugh at and smile at whereas new fans will be opened up to a whole new world. Watching it the second time I picked up a little more humor in the situations performed mostly by David Blue’s character, Eli Wallace, who is sure to be the geek fan favorite. That humor you love about SG-1 and Atlantis is not gone but comes packaged differently. This is something that co-creator Robert Cooper discussed with me at the MGM party at Comic-Con. “The show will have that humor but it will be when the situation calls for it, when it is appropriate. But we will make sure it calls for it.” I think that humor is one of the main reasons why it fits perfectly in that middle ground as a dramatic, dark sci-fi series. Arguably you can see the Joss Whedon influence in the series because he is the best mixing those elements of horror, drama and humor together – see Firefly if you do not believe me.
Here is one example, in episode 3 of SGU, the group has come to grips with their present predicament at least for the time being, and when gated to a planet mirroring that of Tatooine, Eli Wallace, out of breath and panting on a hike with the field team, says, “I can see the statue of liberty halfway buried in the dunes over there,” and then casually goes into a Heston impersonation saying, “Damn you! Damn you all to hell.” As a fan this is nothing different then the little quips that have been made over the years by McKay telling Sheppard (Atlantis) “What are you? Kirk?” Or an SG-1 episode beginning with SG-13 gambling on an off world mission and betting whether it’s an abandoned naquadah mine, ruins of an ancient city, trees, two-headed aliens – one head good, one head bad. I firmly believe all of that will be there when it is appropriate but that nothing will out do the new series capacity for exploring these real characters in real ways.

I loved SGU the first time and even more so the second time because of all these things I have spent this document talking about. Brian J. Smith is the best thing about the show and I am not saying that because he and I twitter back and forth but because there is so much to like and dislike about his character. Louis Ferreira plays Col. Everett Young, an established and experienced leader who butts heads with Carlyle’s Nicolas Rush, a scientist with his own agenda and plans. Both men are dedicated actors and bring a lot relationship to character issues and baggage that will hinder the command of getting these folks home. Another character I wanted to mention that brings a lot of secrets and a somewhat new type of persona to the franchises’ classic character gallery is Jamil Walker Smith’s Master Sergeant Ronald Greer, a marine that has no problem shooting anyone that gets in the way of the collective goal. He is a cowboy that will bring a lot of interesting development throughout the series. Walker really makes him work with casual smiles and little subtleties and nuances that this guy should have.
As I mentioned earlier there are flashbacks like Lost but they are there to establish and explain situation not just to develop character back story. Another similarity to Lost is that not all the series regulars and leads are introduced fully nor set up in the pilot and that is okay they are there, we see them but like Lost their characters will come and play a role when they are needed, after all it was 4 episodes before we saw John Locke.
I urge new viewers to give this series a try because of all the good things I have mentioned and none of the previous mythos will confuse you. Eli Wallace, will play your guide in that department. Wallace, new to all of the elements of a SGC and military space explorers, will spend the series learning about all the Ancient history that long-times fans will already know and have fun reliving. Franchise fans I urge to return and give this series a chance as it is different but will have familiar elements in the humor and mythos but a whole new world of storytelling and exploring within the Stargate Universe. Lastly, Syfy and MGM should be happy as they have a legitimate series that will rival any primetime series such as Heroes, Smallville or even the CSIs or Lost. Also I want to commend Brad Wright and Robert Cooper, series creators, for putting together a new series that doesn’t tire a franchise like a Deep Space Nine or Voyager or even Enterprise but enhances it in a fresh and new way giving it legs.
I almost forgot, Joel Goldsmith, returns to bring the series its musical score and it is a lot different than the previous series, rather than some epic rendition of David Arnold’s original theme, Goldsmith brings a more melodic tone to the score intensifying the dramatic tones of the show as well as the scary coldness of space. It almost seems like a James Newton Howard score with a lot of piano but combined with Greg Edmondson’s violin expression from Firefly. I think there is a Giacchino influence there but I do not want this show to have anymore Lost comparison’s because ultimately a show is all about who the cast is and who is writing it that makes it different and SGU is plenty different.
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Categories: Fused Movies, Reviews, TV Review
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